Selected works for The National Film Board of Canada
Roles: Producer, Director, Cinematographer, Post-Production.
For Gravitypope’s Community Series, I worked on a set of films focused on highlighting creative people in local communities and connecting their work to fashion in a more grounded, human way. The series included portraits of artists such as Marigold Santos, a mother and painter whose work is shaped by care and lived experience; Mara Lauren, a visually impaired creator and influencer redefining accessibility and representation online; and Geneva Haley, a scientific illustrator whose practice connects tattooing, conservation, and science communication. My role was to film and help shape these stories in a way that felt close to each subject’s environment and true to how they live and create.
Gravity Pope: Community Series
Every Mother Counts: Choices in Childbirth
Roles: Content Director, Editor, Post-Production Producer, Colourist.
During my time at Critical Mass, I worked on Choices in Childbirth, an educational documentary series on Black maternal health in the United States, bringing together mothers, doulas, midwives, healthcare professionals, and advocates to share real stories alongside practical guidance for expectant parents. A participatory working group of doulas, midwives, and childbirth educators met from April to December 2021 to help shape the film library and co-create the learning agenda around the needs of pregnant people, particularly pregnant people of colour. I oversaw creative direction and post-production, guiding a collaborative and sensitive process. The series now lives on the Every Mother Counts platform as an ongoing resource.
Roles: Producer, Director, Cinematographer, Post-Production Manager.
Over seven years, I led production and direction on Project Wild, a million-dollar artist development program in partnership with Alberta Music, Wild 95.3, and the Jim Pattison Broadcast Group. The focus was documenting and supporting emerging artists as they developed through live sessions, profiles, showcases, and finale performances across 4–6 month seasonal cycles.
Each season required 50+ deliverables, including documentary features, live performances, social cutdowns, reels, promotional assets, and photography. I was responsible for shaping the creative approach and overseeing efficient, high-volume production while maintaining a consistent visual language that evolved with each season and supported the broader goal of artist development and platform growth.
Alberta Music: Project Wild
Roles: Producer, Director.
I produced and led the creative direction for Shaela Miller’s music video After the Masquerade. Working closely with Shaela, we developed an interpretive, movement-driven concept to explore the song’s themes of misinterpreted consent, emotional aftermath, and recovery without relying on literal storytelling.
Through a careful and considered production approach, I guided the project from concept through execution, shaping a restrained visual language that allowed performance and atmosphere to carry the emotional arc. The result is an artist-driven piece that approaches difficult subject matter with sensitivity while leaving space for reflection and healing.
Shaela Miller: After the Masquerade
Daily Tous Les Jours: Forest Mixer
Roles: Producer, Cinematographer, Editor.
We documented an interactive art installation on Hornby Island created by Daily Tous Les Jours, capturing both video and sound as visitors engaged with the work in the forest landscape. Much of the production involved understanding the installation remotely before arriving on site, with planning shaped through Zoom conversations, sketches, and creative problem-solving to imagine how audiences would move through and experience the piece. Once on location, we focused on translating that interaction cinematically, documenting participation while creating a soundscape that echoed through the environment and reflected the relationship between technology, people, and place.
ATB: A Seat at our Table
Roles: Producer, Director, Cinematographer, Post-Production Manager.
A Seat at Our Table was a year-long farm-to-table documentary series created with ATB, featuring conversations between Alberta chefs and local farmers. The series explored sustainability, community, and the connections behind locally sourced food, travelling across rural and urban Alberta to capture stories on farms, in kitchens, and at community gatherings.
The production involved complex logistics across the province with a small, agile crew, delivering 18+ short-form episodes (3–5 minutes), 40 social media videos per participant, and event coverage from a province-wide gathering, balancing high-volume output with authentic documentary storytelling.
